Administration
Educational Program Directors & Coordinators
Chad joined the Conservatory’s Board of Trustees in July of 2014 and served as its Treasurer before joining the staff as Executive Director in August of 2016. Prior to joining the Conservatory, Chad was a Managing Director in the Real Estate Investment Banking Group at Deutsche Bank Securities where he worked for over 15 years covering public and private real estate companies, investment managers and private equity platforms.
Earlier in his career, Chad worked for four years at the St. Louis Development Corporation, the economic development agency of the City of St. Louis, Missouri. There, he designed and implemented community and economic development programs targeted towards alleviating poverty in some of the most economically distressed neighborhoods in St. Louis and East St. Louis. During his time in St. Louis, Chad also co-founded a project-based grassroots non-profit organization called Metropolis Saint Louis, which sought to foster greater engagement of young people in city revitalization efforts.
Like many Staff and Board members of the Conservatory, Chad was drawn to the organization by a love of music. It is a thread that connects many joyful and formative experiences in his life, from nervously singing in school plays before his 5th grade classmates; to performing timeless jazz standards in college with the Yale Whiffenpoofs; to the joy he experiences today seeing how music makes his two sons – both piano students at the Conservatory – instantly happy. Chad is a piano student at the Conservatory himself, having started piano lessons when he joined the Staff, and still not sounding very good.
Chad recently was elected to the Board of Trustees of the National Guild of Community Arts Education, a membership-based organization whose mission it is to develop leaders, strengthen organizations, and advocate for community arts education around the country. The Conservatory is one of the 400+ proud members of the Guild, and we wholeheartedly share the Guild’s vision of a nation where arts education is accessible and embraced as essential for human development and healthy communities.
Chad earned his MBA from Stanford and his BA from Yale.
email:chad.cooper@bkcm.org
phone:718-622-3300 ext 213
Michal Mechlovitz joined the Brooklyn Conservatory of Music team in 2012. She has worn many hats at BKCM over the years from Gala Coordinator, to Human Resources Manager, to Instrument Explorers Teaching Assistant, and is excited to apply her years of experience and love for BKCM and its mission to her new position as Director of Administration.
Michal is a born and bred Brooklynite. She has always loved her lively home borough for its diversity of culture and counts herself lucky to live in a city where she can hear music from different traditions and practices from around the world on any given night. She’s proud of BKCM’s work to extend opportunities in music education and therapy to the spitfire and tenacious people of her home city regardless of age, level, ability, and limitation. She loves being part of a team that believes music is for everyone.
Michal is a classically trained mezzo soprano, holding a degree in voice performance from the Boston Conservatory. She has a strong affinity for 20th century and contemporary music, particularly the French repertoire and the work that came out the context of the World War period. What she’s always loved most about classical singing is the crossing of master music and poetry at iconoclast historical checkpoints. She loves absorbing languages and the written word, and has collaborated on writing projects with fellow musicians and music projects with performance artists. She has a taste for art with attitude that’s rebellious, provocative, and challenges form and the status quo.
When Michal is not humming through the halls of BKCM, you can find her throwing clay or at the beach.
email:michaela.mechlovitz@bkcm.org
phone:718-622-3300 ext 214
From: New York
I started teaching music in… 2008
I started teaching at the Conservatory in… 2016
My inspiration: Stevie Wonder, Michael Jackson, Debussy, Brian Wilson, Brando
Few people know that I… skipped grades in school
I play and teach: Voice, chorus, guitar, ukulele
My other artistic/musical endeavors: Play with Erin Maya and the Reckoning, the Kena Anae Band, also perform in various musicals, especially musicals involving actor/musicians. Also, compose and do sound work for choreographers and film.
Rose Crichton-White is a New York Emmy-winning professional with over 15 years of cross-sector integrated marketing, event management, and community relations experience. Most recently, she served as Director of Marketing & Communications and Interim Director of Development for Spence-Chapin Services to Families and Children, a nonprofit organization focused on domestic and international adoption.
Previously, Rose was Associate Director of Partnerships & Marketing for BRIC Arts & Media in Brooklyn where she managed the BRIC Media Share program. There, she partnered with other nonprofit organizations to help them produce mission-based short-form video content and incorporate it as part of their own long-term marketing strategies. As part of that program, she received two New York Emmy nominations and won her first New York Emmy in 2018.
Rose also worked with media company, Emmis Communications as Director of Marketing & Promotions for radio station 98.7 KISS-FM and as an integral marketing and community relations team member of the global Hip-Hop brand, HOT 97. As a freelance consultant and event manager, she worked with companies such as MTV, the Brooklyn Hip Hop Festival, Mission One Voice, New York Comic Con, NBC and Interscope Records.
Rose is a City University of New York Alumna and earned a Bachelor of Arts degree in Media and Film Studies from Hunter College and a Master of Science degree in Marketing from Baruch College. She is a Brooklyn native and currently lives with her husband, son, and cat in Ditmas Park.
email:rose.crichton@bkcm.org
phone:718.622.3300 ext 232
Miranda Knutson joined the Brooklyn Conservatory of Music in the winter of 2014 helping organize BKCM’s Red Hot Winter Gala. She has worn many hats at the Conservatory including co-running the Brooklyn Brass Festival, implementing early childhood programming at Head Start schools, setting up new summer camps, organizing staffing, food, auctions and other day-of logistics for 11 galas and numerous events. She currently works on events, special projects, payroll, budgets and outreach billing. She coordinates with program directors to set billing and payroll rates for over 64 sites for Music Partners and Music Therapy. She tracks each programs schedule, budget, grant allocation, account receivable and payroll changes to reconcile and give updates and analytics to Finance and Development.
Miranda has been part of the Brooklyn Conservatory of Music community since she was 8 years old. Over the years she has taken piano, voice, musical theater, saxophone, flute, and chorus at BKCM. She has performed with the Village Light Opera Group, Vertical Players, and other local opera groups.
Prior to BKCM, Miranda was Program and Development Coordinator for Community Works, where she coordinated community learning arts workshops in public schools as well as wrote grants and ran events for historical/arts exhibitions. Before that, she worked at the Museum of Sex as the Special Events Coordinator, and at the Metropolitan Playhouse as Company Manager.
Along with her love of music, she has pursued other passions. Miranda is a Historical Cloth-making instructor, Stage Combat choreographer, and Licensed New York City tour guide. Miranda received her B.S. in History at MIT, and her Masters in Medieval History at Kings College London. On weekends you can generally find her with her spinning wheel teaching at colonial houses around New York, or leading tours of literary and historic pubs of Greenwich Village and Brooklyn Heights.
email:miranda.knutson@bkcm.org
phone:718-622-3300 ext 223
Name: Jennifer Taylor
I’m from… Chappaqua, New York
I started teaching music in… 2016
I started teaching at the Conservatory in… 2018
My inspiration: Musically, I’m very inspired by my peers and past professors but in all other aspects of life, my biggest inspiration is my mom!
Few people know that I… was extremely interested in circus arts throughout middle and high school – I used to ride a unicycle!
Education: Elon University, BS in Music Education (K-12); Teachers College, Columbia University, MA in Music Education (Early Childhood Concentration)
I play and teach: Alto Saxophone, Ukulele
My other artistic/musical endeavors: I’ll be in the BKCM Big Bad Brass Band this fall!
Personal Teaching Statement: My teaching method pulls from various philosophies (primarily Orff-Schulwerk), but is greatly influenced and inspired by my mentors and colleagues.
Biography: After completing graduate school, Jennifer moved to Brooklyn and began teaching at various community music schools around New York City, including the Brooklyn Conservatory of Music and Third Street Music School. In addition to teaching classes in her home neighborhood of Park Slope, Jennifer also teaches in public schools across Brooklyn and Queens. One of Jennifer’s favorite things about her teaching partnerships is having the opportunity to work with entire school populations, ranging from the 3-K students all the way to the 5th graders. Jennifer has been teaching at her partner school for the past four years and has loved getting to know the teachers and students from year to year.
Outside the classroom, Jennifer works administratively with the BKCM Events staff, Third Street’s School Partnerships team and the DOE Create Professional Development program.
Jeff Yas is an experienced graphic artist, singer, songwriter & guitarist. At BKCM, he serves as Senior Designer, creating and maintaining a cohesive brand identity across all marketing & communications. Jeff’s style mixes the geometric minimalism of Art Deco & Bauhaus with strong color palettes and engaging typography. His own Park Slope studio is called YAS (www.yasgraphics.com) and specializes in logos, websites and brand marketing. His band Turnpike (www.turnpike718.com) plays original alt-folk Americana with a Jazz & Southern Gothic feel, and has just released their first EP “Leaving Camptown” on iTunes and Spotify. They play regularly at Rockwood Music Hall, Freddy’s, Three’s Brewing, The Way Station & Branded Saloon.
Since joining the BKCM team in 2021, this pup-star has been lifting spirits and bringing smiles to the faces of everyone he encounters. With his friendly disposition and paw-sitive energy, Rocky is top dog at the Conservatory.
Dorothy Savitch has led the Music Partners program since 1996, developing fully enriched, sequential programs that build upon students’ skills from year to year. Under Dorothy’s guidance, Music Partners has grown from six sites with 700 students to 34 sites with 4,500 participants. Dorothy has expanded the course offerings to meet the needs and interests of our diverse community, including chorus for seniors citizens, West African Drumming, GarageBand Songwriting and programs for toddlers and pre-kindergarten students. Dorothy has been on the BKCM faculty since 1989, and prior to becoming Program Director of Music Partners, she taught music theory, history, classical guitar, chorus and recorder. In 2002, Dorothy Savitch was also named as the first Music Director of the Brooklyn Conservatory Community Orchestra. Since 1997, Ms. Savitch has also been Music Director of Long Island’s Sound Symphony Orchestra. Since her tenure began, both orchestras have grown and expanded into two of the finest community ensembles in the New York metropolitan area. They have received high praise for their vibrant performances and expansive repertoire. Before her transition to the podium, Ms. Savitch studied the classical guitar with Christopher Parkening and Vicente Gomez, and toured throughout the West Coast. She received music degrees from Columbia University and the Aaron Copland School of Music at Queens College. Her conducting teachers include Harold Farberman and Maurice Peress.
email:dorothy.savitch@bkcm.org
phone:718-622-3300 ext 221
Sheri Gottlieb is Associate Director of the Music Partners Program at Brooklyn Conservatory of Music. She serves as mentor and curriculum developer and offers a regular series of Seminar/Workshops through the Conservatory designed for Music Educators and Classroom Teachers. Her teaching career has given her opportunities to work with diverse populations in public and private schools, Head Start programs and Community Music Schools.
Sheri is currently working on a project with the DOE, creating and teaching early childhood music materials for UPK teachers and leaders. She has extensive experience as a clinician, most recently working on “The Ready Readers Program” in conjunction with Chinatown Planning Council. Sheri is Past President of the NYC Chapter AOSA and has served on the board of NYC Arts in Education Roundtable. She is co-author of “Melodic Weavings – A Soprano Recorder Approach for Teachers.” And her article on Music and Urban Education appears in The Orff Echo.
Sheri is a trained hospice volunteer and a founding member of the Threshold Choir NYC. She sings for clients and caregivers by helping to honor, ease and give support through the gift of song.
email:sheri.gottlieb@bkcm.org
Name: Sara Holtzschue
I’m from… Brooklyn, New York
I started teaching music in… 1987
I started teaching at the Conservatory in… 1999
My inspiration: Nina Simone
Few people know that I… love jellyfish
Education: Barnard College, Columbia University – A.B., Music
New England Conservatory – M.M., Jazz Composition
I play and teach: Flute, Piano, Voice, Composition, Music Theory and Songwriting
My other artistic/musical endeavors: Sara Holtzschue Trio and Quartet
Biography: A New York native, Sara Holtzschue’s career in music began as a classically trained flutist. Sara’s track began changing during her high school and college years which she spent both playing flute and nurturing her budding interest in composition, jazz and American folk music. She graduated with a degree in music with honors from Barnard College at Columbia University where she studied with David Rakowski, Mario Davidovsky, Jeff Nichols and Harold Jones.
Sara’s interest in jazz led her to a master’s degree with honors in Jazz Composition from New England Conservatory of Music. As her great-grandmother did at Oberlin, she adopted voice as the focus of her performance studies while at the Conservatory. She had the opportunity to study both voice and composition with Dominique Eade, John McNeil, Bevan Manson, George Garzone and Jimmy Guiffre.
Sara serves as the Brooklyn Conservatory of Music’s Music Partners Community Engagement Liaison as well as a site coordinator for band programs at PS 686 and 118. She is an Assistant Professor at the City University of New York and conducts workshops and courses for the CUNY College Now program.
The recipient of numerous awards and scholarships, Sara has been honored by the City University of New York Research Foundation, New England Conservatory, The Brooklyn Conservatory, Reed College, Columbia University, Barnard College and, for three consecutive years, the AscaPlus Award for Performance and Composition. She was also a staff writer at www.jazzreview.com. September 2005 saw Sara as a featured artist on Skyjazz Internet Radio.
Sara has performed with and/or had compositions recorded by the Kingsborough Community College Orchestra, Bruce Barth, George Colligan, Michael Kanen, David Berkman, Pete McCann, Dave Ambrosio, Rez Abbasi, Roberta Piket, George Garzone, Andrew Rathbun, Peter Retzlaff, Christian Howes and Taylor Haskins, among others.
The Wire magazine places Sara Schoenbeck in the “tiny club of bassoon pioneers” at work in contemporary music today and the New York Times has called her performances “galvanizing” and “riveting, mixing textural experiments with a big, confident sound.”
While focusing on the intersection between extended technique and melody Sara works to expand the notion of what the bassoon is capable of in both notated and improvised music. She is a member of Anthony Braxton’s 12+1(tet) and the Tri-Centric Orchestra; Gravitas Quartet with Wayne Horvitz. She performs and tours regularly with the Schoenbeck/Horvitz Duo; ensemble Wavefield; Petr Kotek’s SEM ensemble; the composers group WetInk, the Michael Leonhart Orchestra and the Nels Cline Lovers Orchestra. Sara can be heard on music and film recordings including on the Blue Note label and the movies Matrix 2 and 3. She is looking forward to releasing her debut album in the fall of 2021 as a leader in a series of intimate duets on Pyroclastic Records.
She has performed at major venues and festivals throughout North America and Europe. Highlights include Biennale Musica in Venice Italy, SXSW, New Orleans Jazz Festival, Newport Jazz Festival, Berlin Jazz Festival, Victoriaville, the Vancouver Jazz Festival, San Francisco Jazz Festival, Saalfelden in Austria, the NY Winter Jazz Festival, BRIC Celebrate Brooklyn, the NY VisionFest and the Kennedy Center.
Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts. She has been adjunct faculty at California Institute of the Arts, Citrus College and Pasadena Conservatory and given master classes at Amherst College, Hampshire College, Cornish College, University of Denver, Western Washington University and Sacramento State University.
email:sara.schoenbeck@bkcm.org
Toby Willams (M.A, MT-BC, LCAT) is a music therapist and is the Director of Music Therapy at the Brooklyn Conservatory of Music. Toby received her master’s degree in music therapy from New York University and is a graduate of Dr. Diane Austin’s certificate program in Advanced Training in Vocal Psychotherapy, a music therapy technique focused on dealing with trauma recovery. In 2005, Toby founded the music therapy program at Reach for the Stars Learning Center, a private school for children diagnosed with autism spectrum idisorders. For the past ten years, Toby has offered workshops on how to use the voice and body to promote emotional and physical healing at such institutions as The Kessler Institute, Robert Wood Johnson Medical Center and through partnerships with Friends Health Connection, Citicorp and Carnegie Hall. Previously, Toby developed and ran music therapy programs at New York Presbyterian Hospital on the cardio-thoracic unit and at the Herbert Irving Cancer Center’s Infusion unit. Toby has also conducted educational presentations on jazz singing through Carnegie Hall’s Education Outreach program and has taught early childhood music classes for Music Together of Park Slope, Brooklyn. Toby’s professional experience as a jazz vocalist led her to perform across the country and record two CDs. Her extensive background both as a music therapy clinician, administrator, music instructor and jazz performer has led to speaking engagements, teaching opportunities and panel discussions.
email:toby.williams@bkcm.org
phone:718-622-3300 ext 216
Name: Marie Lewis
I’m from: Queens, New York
I became a music therapist in… 2017
I started practicing music therapy at the Conservatory in… 2013. I’ve been affiliated with the conservatory’s music therapy program since 2013, first as a volunteer, then as an intern, and now as a music therapist.
The populations I’ve worked with include… I’ve worked with clients aged 3-21.
The primary population I work with is… Children and adolescents with developmental delays
My inspiration: Stevie Wonder, Joni Mitchell and Sarah Vaughn
Few people know that I… have a twin brother.
Education: University of Massachusetts, Amherst – BA, English
New York University – MA, Music Therapy
I you play: Guitar, piano, and my voice
Name: Dannyele Crawford
From: Brooklyn, New York
Education: Piano since the age of 3, violin and voice since 10, guitar for 6 years. I have a BA in Music Education from Kean University and an MS in Music Therapy from Molloy College.
I play and teach: Piano, guitar, voice, violin
Biography: Dannyele Crawford is a board certified music therapist at the Brooklyn Conservatory of Music. Being a Brooklyn native, Dannyele holds a passion for serving under-resourced communities within NYC and amplifying the voices of those who need it. She believes that music can be used as a tool to improve overall wellbeing, health, promote diversity/inclusion/community and expressivity across populations.
Dannyele’s interests lie in incorporating the use of music technology and overlooked music genres, such as hip-hop, pop, and R&B, in her work to diversify and continue expanding music therapy care. She is passionate about catering to the individual(s) and using the music that they are interested in to cater to their individualized needs and to make their experience of music as enjoyable and beneficial as possible.
email:brian.drye@bkcm.org
phone:718-622-3300 ext 230
Nora Friedman is the Suzuki Program Director at the Brooklyn Conservatory of Music and the founder of the Bed Stuy Suzuki Violin Studio.
Nora Friedman attended Wesleyan University, where she received her B.A. in Latin American Studies, and holds a Masters in Performance from Montclair State University and Brooklyn College. She has studied with Perry Elliot, Masao Kawasaki and Weigang Li. She began studying the violin at age five at Central Park East School in East Harlem with Roberta Guaspari, renowned pedagogue and Artistic Director of Opus 118 Harlem School of Music. The movie, Music of the Heart, starring Meryl Streep, and the accompanying documentary Small Wonders, were made about Nora’s teacher, and you can see a teenaged Nora on the stage of Carnegie Hall near Itzhak Perlman at the end of Small Wonders if you squint.
In her 20+ years as a violin teacher, Nora has founded in-school violin programs in the South Bronx and Bed Stuy and has also sat on the violin faculties at the Thurnauer School of Music in Tenafly, the Elisabeth Morrow School in Englewood, the Preparatory Center for the Performing Arts at Brooklyn College, and Opus 118 Harlem School of Music.
Nora has completed Suzuki Violin Core Units 1-7 & 9-10 and many supplementary and enrichment courses, Suzuki Principles in Action, Practicum, including Supplemental Repertoire: Violin Books 6 – 8, Developing the Bow Arm from Pre-Twinkle through Book 10, Teaching with an Open Heart, Left Hand Pitfalls, and Establishing the Bow Arm. She has trained with Edward Kreitman, Edmund Sprunger, Allen Lieb, Tom Wermuth, Linda Fiore, Nancy Jackson, Catheryn Lee, Charles Krigbaum, Teri Einfeldt, Julie Lyons-Lieberman and Jennifer Johnson, to name a few.
Her passions include old-time fiddle, improvisation, and keeping the musician’s body and mind healthy. When Nora was a new teacher working in the South Bronx, she won a grant to travel around the U.S. and Canada learning about roots music. She went to West Virginia, California, and Saskatchewan. At BKCM, she has participated in anti-racism training and has been an integral member of the Diversity, Equity and Inclusion project team, most recently working on creating a more equitable hiring process at BKCM.
When she is not working, you can find Nora singing with friends, biking around town, inventing games, composting, planning messy art projects, cultivating too many plants, rescuing strays, hiking, and cooking cauldrons of things in her tiny kitchen.
Name: Jenna Girone-Virgilio
From: East Islip, NY
I started teaching music in… 2004
I started teaching at the Conservatory in… 2010
My inspiration: My students inspire me to be a better teacher every day! 🙂
Few people know that I… love swing dancing, I enjoy learning languages, and I have a cat named Daisy.
Education: The Hartt School at University of Hartford – Bachelor of Music in Cello Performance
Mannes College of Music at The New School – Master of Music in Cello Performance
Suzuki Training in Books 1-8 at School for Strings with Pamela Devenport
I play and teach: Cello
My other artistic/musical endeavors: I play with Rhymes with Opera and the Red Door Chamber Players, although Red Door seems like it may not be performing together very much anymore. I also have plenty of music for cocktail hours for various sized string ensembles.
I also perform with Rhymes with Opera, a contemporary opera company which was featured on the cover of Opera News magazine! We perform pieces that are commissioned for our small cast of singers and unique ensemble of violin, viola, cello, saxophone, percussion, and piano. Topics have included a sci-fi opera and an opera about four Dolly Parton super fans waiting to meet Dolly! For more information, go to the link below!
Personal Teaching Statement: Having experience with the Feldenkrais Method, Dalcroze, and Music Mind Games, my versatile training allows me to approach my teaching from a visual, aural, or kinesthetic standpoint, depending on the student’s needs. One teaching method or explanation does not work for all students. This is why I approach lessons with each unique individual or group of students in a way that connects to them and the way that they learn best.
My approach to teaching music is full of vivid analogies, hands-on activities to reinforce ideas, and questions to get my students to think for themselves not only to analyze what they are looking at on the page, but also how to approach getting an optimal sound out of their instruments. I am always looking for creative and out of the box ways to get a student to understand something, whether it is getting them up out of their seat, or doing an experiment to see what happens when we push boundaries. With these things in mind, my goal is for every lesson to be fun, educational, and productive.
Biography: Jenna Girone-Virgilio is the Head of the Suzuki Cello/Bass Department and the Suzuki Program Coordinator at the Brooklyn Conservatory of Music. She completed training in Suzuki Cello Books 1-8 from School for Strings with Pamela Devenport; additionally, she completed an apprenticeship with Tova Rosenberg through the School for Strings’ Early Childhood Program and spearheaded that program from 2010 until 2017, working with children ages 1-4. She has been on the faculty at the Riverdale Country School, Virtuoso Suzuki Academy, Belle Arti Center for the Arts, and Manhattan Youth.
Jenna earned her Bachelor of Music degree in Cello Performance from The Hartt School in Hartford, Connecticut, where she studied with Steven Thomas. She went on to receive her Master of Music degree in Cello Performance at New York’s Mannes College of Music, under the guidance of Paul Tobias.
As a performer, Jenna has appeared in venues across the world, including the Warner Brothers’ Studios in Los Angeles, with the Henry Mancini Institute; as the Principal Cellist with the Mid-Atlantic Foundation for Asian Artists Opera at the Kennedy Center in Washington, D.C; in Italy, as a part of the Opera, Theater, and Music Festival of Lucca; and acting on stage at New York’s Metropolitan Opera as the role of “cellist” in Sir Richard Eyre’s recent production of Giacomo Puccini’s “Manon Lescaut.”
Jenna recorded the soundtrack to “The China Question,” a documentary directed by Brook Silva-Braga, which has been played and featured on CNBC. Additionally, she can be heard on Warner Brothers’ singer/songwriter Matt White’s album, “Shirley,” Jeff Litman’s “Outside” and Nate Graham’s “Daylight.”
In 2020, Jenna had the honor of performing Schoenberg’s “Pierrot Lunaire” with the OMNI Ensemble at the Brooklyn Conservatory of Music. She has also performed with such distinguished organizations as the String Orchestra of Brooklyn, Ensemble 212, and the Mimesis Ensemble. Jennifer is a core member of Rhymes with Opera, and a founding member of the Red Door Chamber Players.
Lisa Vidas Consolacion was born in Vancouver, BC Canada and raised on the other end of North America in Houston, Texas. She grew up in her parents’ music school, first playing the violin and then singing. Lisa is a proud alumnus of Houston’s GRAMMY Award winning High School for the Performing and Visual Arts.
As an actress, Lisa has performed as a Disney princess (Pocahontas – Disney Cruise Lines), in the French Revolution (Les Misérables – UK Tour), in a couple of shows showing different sides of the war in Vietnam (HAIR, Miss Saigon – regional), and for a wedding in Greece (Mamma Mia! – Broadway). Lisa has also worked as a background vocal arranger and vocal coach for professional recording artists.
As an educator, Lisa has taught music, drama, musical theatre, dance, and voice to students of all ages, privately and in classroom settings. Lisa also has experience in educational administration and leadership.
BA – Music – University of St. Thomas (Houston, TX)
MA – Vocal Performance/Musical Theatre – New York University
Name: Nicholas Nicassio
From: Los Angeles, CA
I started teaching music in…1999
I started teaching at the Conservatory in… Just starting this September
My inspiration: Former voice teacher, Naomi Farr
Few people know that I… Have a Scuba certification and went diving with sharks in Palau
Education: University of California, Irvine, BA in English, Manhattan School of Music, MM in Voice, Rutgers University, DMA in Choral Conducting
I play and teach: Choral Conductor, Voice, Piano
My other artistic/musical endeavors: Conductor for the National Children’s Chorus and Music Director at St. Saviour Church, Brooklyn. Just finishing composing the score for the feature film, When the Moon Was Twice as Big.
email:nick.nicassio@bkcm.org